‘Between Two Lovers’ Review: Nanako Hirose’s Contentious Family Drama Examines an Ill-Fated Throuple
- Nanako Hirose’s sophomore feature, <em>Between Two Lovers</em>, explores polyamory and same‑sex parenting in contemporary Japan.
- The film stars Masami Nagasawa as a free‑spirited children’s author who invites her husband and secret girlfriend into a throuple.
- Directed by Kore‑eda protégé Nanako Hirose, the movie was reviewed by Variety.
- The story examines hot‑button issues such as non‑traditional relationships and LGBTQ+ family dynamics.
- The film’s portrayal of a modern Japanese throuple may influence future representations of diverse families on screen.
Nanako Hirose’s sophomore feature, Between Two Lovers, has sparked conversation in Japan for its candid portrayal of a throuple and same‑sex parenting. Variety recently reviewed the film, noting its exploration of contemporary relationships in a society that is still grappling with non‑traditional family structures.
Directed by Hirokazu Kore‑eda’s protégé, the movie is set in modern Japan and tackles a range of hot‑button issues, from polyamorous relationships to the challenges of same‑sex parenting. The narrative centers on a free‑spirited children’s author who invites both her doting husband and a secret girlfriend into a three‑way partnership, a scenario that forces each character to confront personal expectations and societal norms.
Masami Nagasawa plays the author, bringing a mix of warmth and determination to the role. Her portrayal anchors the film’s emotional core, as the story follows the trio’s attempts to balance love, creativity, and the responsibilities that come with raising a child together. The ensemble’s chemistry underscores the film’s thematic ambition, highlighting the complexities of modern love in a culture that traditionally values nuclear family models.
By foregrounding a non‑traditional family in a mainstream Japanese narrative, Between Two Lovers offers a fresh perspective that could influence future portrayals of LGBTQ+ relationships on screen. The film’s reception at Variety and potential screenings at international festivals may open doors for broader distribution, signaling a growing appetite for stories that reflect the evolving fabric of Japanese society.